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Cold Hit

Cold Hit

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A chilling new Alexandra Cooper thriller from the acclaimed Manhattan Assistant D.A. who lives the gritty and glamorous life she writes.
The raves are in for Linda Fairstein's Alexandra Cooper novels. "Riveting authenticity," says Vanity Fair. "Grisham-esque," says Time. "There is an anger and a passion in Alex Cooper that is clearly not fictional," says The London Times.
From its dramatic opening scene when a silk-clad corpse washes up from the turbulent waters at Manhattan's northern tip to its stunning conclusion when Alexandra runs for her life, Cold Hit transports the reader behind the scenes with the cops, the criminals, the victims, and the denizens of the art world. Here is the authenticity, the vision, that only Linda Fairstein can provide.
On a steamy August evening, after an exhausting day in the courtroom, Assistant District Attorney Alexandra Cooper joins her longtime pals and partners-in-investigation, NYPD detectives Mike Chapman and Mercer Wallace, at a somber crime scene. In her ten years as a sex crimes prosecutor, Alex has seen many victims, but few more poignant than this one, pulled from the water with her hands and feet obscenely tied to a ladder.
Sleep comes uneasily after such a vision, but the knowledge that monsters walk the city's streets, preying on the innocent, motivates Alex and her colleagues in their sometimes heartbreaking work. Perhaps this time they will be lucky. A "cold hit" could match DNA from the crime scene with a suspect's DNA profile in the police database. Or is this case a more sinister kind of "cold hit"? Who was this latest victim?
From a luxurious Fifth Avenue apartment to famous midtown auction houses to the avant-garde galleries of Chelsea, Alex, Mike, and Mercer hunt for a killer in a very special world where priceless art meets big money in a lethal mix. Whether it's a missing Rembrandt, a Vermeer in need of authentication, or doors paneled with precious amber and missing since the great Nazi art thefts, the stakes are high, the consequences potentially fatal.
Illuminating and inspiring, Cold Hit takes us from the paint-chipped offices of cops and D.A.s to the elegant restaurants of Alex's privileged Upper East Side life. The contrast is striking, but it's all part of the extraordinary world that author Linda Fairstein has brought so vividly to life in this magnificent novel of suspense.
  • Scribner | 
  • 416 pages | 
  • ISBN 9780743230063 | 
  • February 2002
List Price $8.99

Read an Excerpt

Chapter One

It was after eight o'clock, and all I could see of the sun was its gleaming crown as it slipped behind the row of steep cliffs, giving off an iridescent pink haze that signaled the end of a long August day. Brackish gray water swirled and broke against the large rocks that edged the mound of dirt on which I stood, spitting up at my ankles as I stared out to the west at the Palisades. The pleats of my white linen skirt, which had seemed so cool and weightless as I moved about the air-conditioned courtroom all afternoon, were plastered against my thighs by the humidity, and I swatted off the mosquitoes as they searched for a... see more

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Reading Group Guide

COLD HIT
Linda Fairstein

Questions and Topics for Discussion

1. In Linda Fairstein’s third Alexandra Cooper novel, she tackles the world of fine art dealing—even weaving in real unsolved art crimes. How would you describe her portrayal of the New York art world? Did it surprise you? Had you ever heard of the Amber Room or the Gardner Museum heist?

2. Mercer Wallace tells Alex that they’ll find Denise Caxton’s murderer, “in spite of the devil” (p. 11). What do you think he means?

3. COLD HIT pays particular attention to the landscape of Manhattan—thanks especially to Mike Chapman’s love of local history. How does Manhattan itself become a key player in this story? Can you imagine Alex living anywhere else?

4. The night that Denise Caxton’s body is found, Alex spends a tough night awake, thinking “about the monsters who walk among us” (p. 16). Which elements of this case do you think have especially disturbed her? Where else do we see glimpses of the more sensitive, vulnerable Alex?

5. Although we get to know Denise Caxton only through the testimony of others, how would you describe her? Did you, like Alex, sometimes have trouble finding her sympathetic?

6. Chapman is able to find opportunities for wit and humor in the face of even the most horrifying crimes. What does this ability tell us about him, and what makes him such an important part o see more

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