Day After Night
Just as she gave voice to the silent women of the Hebrew Bible in The Red Tent, Anita Diamant creates a cast of breathtakingly vivid characters—young women who escaped to Israel from Nazi Europe—in this intensely dramatic novel.
Day After Night is based on the extraordinary true story of the October 1945 rescue of more than two hundred prisoners from the Atlit internment camp, a prison for “illegal” immigrants run by the British military near the Mediterranean coast south of Haifa. The story is told through the eyes of four young women at the camp who survived the Holocaust: Shayndel, a Polish Zionist; Leonie, a Parisian beauty; Tedi, a hidden Dutch Jew; and Zorah, a concentration camp survivor. Haunted by unspeakable memories and losses, afraid to hope, the four of them find salvation in the bonds of friendship and shared experience even as they confront the challenge of re-creating themselves in a strange new country.
Diamant’s triumphant novel is an unforgettable story of tragedy and redemption that reimagines a singular moment in history with stunning eloquence.
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Day After Night
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- Book Cover Image (jpg): Day After Night
Trade Paperback 9781439197141(3.3 MB)
- Author Photo (jpg): Anita Diamant
Mark Ostow(2.3 MB)
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Reading Group Guide
Based on a true story, Day After Night is told through the eyes of four young female Holocaust survivors interned at a British military camp in Palestine after World War II. Though haunted by terrible memories and innumerable losses, these women ultimately find salvation through the bonds of friendship and love as they confront the challenge of rebuilding their lives. The unforgettable strength and resilience of Polish Zionist Shayndel, Parisian beauty Leonie, Dutch outsider Tedi, and concentration camp survivor Zorah provide a riveting and heartbreaking look at individual human experiences of the Holocaust and its aftermath.
Questions for Discussion
- Shayndel “was overcome by the weight of what she had lost: mother, father, brother, friends, neighbors, comrades, lovers, landscapes.” Reflecting on her past Leonie remembers a vision in which “her own voice, [said] yes to life, as miserable as it was.” For Zorah,