We'll Meet Again
After famous actress Natalie Raines is found in her home, dying from a gunshot wound, police immediately suspect her theatrical agent and jealous soon-to-be-ex-husband, Gregg Aldrich. But no charges are brought against him until two years later, when a career criminal suddenly claims Aldrich had tried to hire him to kill her.
The case is a plum assignment for attractive thirty-two-year-old assistant prosecutor Emily Wallace. She spends long hours preparing for the trial, and unaware of a seemingly well-meaning neighbor’s violent past, gives him a key to her home to care for her dog.
The high-profile trial makes headlines, threatening to reveal personal matters about Emily, such as the fact that she had a heart transplant— especially when she experiences eerie sentiments that defy all reason and continue even after the jury decides Gregg Aldrich’s fate.
But little does she know, now her own life is at risk. . . .
Mary Higgins Clark, Queen of Suspense
Read an Excerpt
Gus Brandt, executive producer for the NAF Cable Network, looked up from his desk at 30 Rockefeller Plaza in Manhattan. Fran Simmons, whom he'd recently hired as an investigative reporter for the six o'clock news hour and for regular assignments to his hot new True Crime program, had just entered his office.
"The word's in," he said excitedly. "Molly Carpenter Lasch is being paroled from prison. She gets out next week."
"She did get parole!" Fran exclaimed. "I'm so glad."
"I wasn't sure you'd remember the case. You were living in California six years ago. Do you know much about... see more
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Book Cover Image (jpg): We'll Meet Again
Mass Market Paperback 9780671004569(1.8 MB)
Author Photo (jpg): Mary Higgins Clark
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Reading Group Guide
QUESTIONS FOR DISCUSSION:
1) Mary Higgins Clark is wonderfully adept at using imagery to help readers create a detailed mental picture of a character. For example, Molly is described as looking like "a beautiful bird perched at the end of a branch, poised but ready at any second to take flight." (p. 15) Find and discuss another example of imagery used to fine-tune a character's external and internal identity.
2) Reread the scene in chapter eight where Fran is unpacking in her new apartment, and compare it to Molly's "homecoming" to Greenwich. How does each woman's different situation affect the way she handles the transition into her new life: the way she acts, thinks, feels, and even eats.
3) Molly's conviction in Gary's murder was originally due in large part to a rush to judge by the police, anxious to close their investigation. Do you think that police are often so anxious to solve a case that they zero in too quickly on one suspect? Do you think the police would have been able to spot the actual killer had they not assumed so quickly that Molly was guilty?
4) Discuss Fran's role as a reporter versus her role as Molly's friend. Does this "conflict of interest" compromise the integrity of Fran's reporting -- or does it spur her on to investigate even harder? Does a reporter who grows too close to her subject have an ethical responsibility to remove herself from the story?
5) One of the major clues in the myste see more